We Killed by Yael Kohen
I was disappointed with Bridesmaids. When I finally watched after hearing all the hype about how this was the film that proved female comedies could work, I was underwhelmed. It’s still an important milestone in that it proved to both studios and a wide audience that women could carry a Judd Apatow comedy, but I wished it had been proven with a earthshakingly hilarious film instead of this. But perhaps I should be more disappointed in a culture that had to have it proved that women could be funny (and in a way anointed by Apatow). I mean, I’m part of an all-lady MST3K-style comedy troupe that brings me to tears every Thursday night. As Yael Kohen says in the introduction to this book, “Women have always been funny. It’s just that every success is called an exception and every failure an example of the rule” (5).