The Shadow Hero
by Gene Luen Yang and illustrated by Sonny Liew
2014 • 176 pages • First Second
On Monday, The Mary Sue republished Lilian-Ann Bonaparte’s Black Girl Nerds essay on the importance of racebent fanart, “For Black Girls who considered Esmerelda Black when Cinderella wasn’t enuf: The Importance of Race-Bending Fan-Art.” It is well worth a read—Bonaparte specifically fixes on The Hunchback of Notre Dame, the greatest of the Disney Renaissance films—but Bonaparte makes herself very, very clear at the end of it: “Race-bending is radical, progressive and imperative for the WOC who are starved for more positive representation in media.”
Gene Luen Yang, I think, would undoubtedly agree with Bonaparte. Given his measured but angry response to the atrociously whitewashed Avatar: The Last Airbender film (could have had it all, rolling in the deep, etc.), it’s very tempting and, I think, rewarding to think of The Shadow Hero as Yang’s opportunity to avenge the scores of Asian characters who have been whitewashed over the years for the sake of appealing to a “wider” (which is a very odd way to spell “whiter”) audience.