The Skeleton Twins
2014 • 93 minutes • Roadside Attractions
They say that your favorite incarnation of Saturday Night Live is the one you experienced in high school, when you were old enough to get the jokes and stay up that late, but not old enough to do anything else with your Saturday night. Despite my current quest to watch Saturday Night Live from the beginning (on hiatus until Captain Cinema’s screen is delivered to us) and my predilection for cooing over baby Amy Poehler and Seth Meyers at the beginning of their tenure, this has held true. I began watching the show when Hulu launched in 2007, and I retain a fevered fondness for the cast I started with—the aforementioned Poehler and Meyers, the always deliriously and sweetly weird Will Forte, the short-lived Casey Wilson, and Bill Hader.
Hader was such a fixture on the show that I only really became aware of him, despite appreciating his talents, when his now famous character Stefon started appearing on Weekend Update. (Stefon actually debuted in a proper sketch when Ben Affleck hosted in 2008.) That’s when I really started watching the show religiously, and I loved it. (I mean, I still love it, but you know what I mean.) When “my” cast members began leaving the show, I was always a little wistful, but Hader’s departure last year—complete with the epic Stefon wedding filmed sketch, which must be seen to be believed—was the first time I really missed a cast member. (Mercifully, Beck Bennett is picking up the pompous character slack, which I do appreciate.) Captain Cinema and I have delighted to see him intermittently in media (“Gosh, he looks so rested!” I distinctly remember texting Captain Cinema after he popped up on Saturday Night Live briefly), but The Skeleton Twins marked the first major post-Saturday Night Live project of his to come to fruition.