1963: The Year of the Revolution by Robin Morgan and Ariel Leve
In the course of human history, teenagers are a fairly recent invention. Of course, humanity’s always gone through adolescence, but as a social construct, young adulthood was really developed after World War II, when post-war prosperity meant that teenagers had money—and, therefore, agency—for the first time en masse. Add to that the baby boom, and you’ve got yourself prime conditions for changing the culture.
Louder Than Hell by Jon Wiederhorn and Katherine Turman
As you might surmise by my love of Rock of Ages and all things eighties, I like glam metal. I was practically reared on a copy of ABBA Gold, so I’m instantly drawn to anything with a singalong chorus and a look. But, as a kid, the only musical genres I really understood were “eighties,” “emo,” and “country.” (The only extent to which I indulged in defining my identity musically in middle school and high school was to sneer at country, a time-honored but ultimately cruel tradition.) “Metal” encompassed too many seemingly disparate elements for me to wrap my head around—KISS was definitely metal; Rammstein was German and therefore inherently metal; but where did Fred Durst come into all this and why was he so terrifying?