The Ten-Cent Plague
by David Hajdu
2008 • 448 pages • Farrar, Straus and Giroux
I hate it when mediums and genres are conflated. It smacks of intellectual laziness to me to insist that cartoons are inherently for children, or, in an example more pertinent to today’s book, that comic books are synonymous with superhero comics. Percentage wise, that audience and that genre, respectively, dominate each medium, but they are not inherently better suited to that thing than any other medium. With the cultural ascendency of Marvel and (in my anecdotal experience) an increased interest in comics in general, it’s important to remember the medium’s roots—and the controversy it once engendered.
David Hajdu’s The Ten-Cent Plague starts at the dawn of comic books—which starts, naturally, with comic strips in newspapers—and follows the medium through a turbulent period in American history, when comic books were blamed for the supposed onslaught of juvenile delinquency, comic book burnings actually happened (barely a decade or two after World War II!), and comic book publishers were seen as unsavory at best and demonic at worst. And this is all long before Spider-Man took Marvel to the top in the sixties.